Jeff Koons in Florence Demensions of Pieces of Art
The Jeff Koons Show at Strozzi: a Visit & Video
Over 140,000 guests take visited the Jeff Koons art exhibition at Palazzo Strozzi, which is in its terminal two weeks. The retrospective spans a carefully selected option of pieces from 40 years of this American artist's career. Here is a video preview of the show, and below is a live report.
Until January thirty, 2022: JEFF KOONS: SHINE.Palazzo Strozzi, Piazza Strozzi.Open up daily x am – eight pm, Thursday until xi pm.Access: €15. Audio guided tours in English and Italian available for €4. For more information, visit Palazzo Strozzi website at https://world wide web.palazzostrozzi.org/en/tickets-opening-hours/
Jeff Koons is ane of the virtually well-known contemporary artists around the globe and some of his most historic works of the final 50 years are currently on display at Palazzo Strozzi in an exhibition titled,Jeff Koons. Shine. Koons is known for his big stainless steel balloon-animal sculptures and holds the tape for the highest toll paid at an auction for art created by a living artist. At Palazzo Strozzi, i of Koons' awe-inspiring stainless steel sculptures welcomes visitors into the complex on the footing flooring, while there are over 30 of his other sculptures and paintings on the offset floor. This collection can be appreciated not just for its aesthetic qualities, simply more than securely, for the philosophical letters conveyed by Koons in his written explanations throughout the show.
In theShine exhibition are many of Koons' well-nigh impressive airship-looking sculptures fabricated of steel. These sculptures all insinuate to recognizable subjects, yet they are simplified and enlarged, assuasive the reflection of the viewers to become simply equally much a subject of the art as the sculptures themselves. One example is the large red balloon dog on the first flooring of the exhibition. Similar many of Koons' pieces, the curving surface of this sculpture creates unique distorted reflections that make the slice able to be experienced differently from dissimilar angles. It is unique with its positioning in the room right next to a wall mirror, which allows the reflective sculpture to be viewed through yet another reflection. This layering of reflections alludes to Koons' intention of inspiring self-reflection and is a sort of physical representation of metacognition – the act of thinking about i's own thinking.
Koon'due south philosophy backside his work is, as he stated in the video, "what has always been of import to me is to accept a dialogue on what it means to be alive."
More naturalistic sculptures in steel and plaster are also included in the exhibition, showing Koons' ability to be attentive to detail when needed. Ane of the near striking rooms in the exhibition contains a series of naturalistic paintings and life-size sculptures of homo figures. The unexpected twist that makes these pieces memorable is the addition of a reflective blue ball to each limerick. Because of their color dissimilarity and reflectiveness, the blue balls are more the field of study than the sculptures and paintings on which they residue. When viewers look at a blue ball, information technology is their ain reflection that appears, which again shows Koons' goal of incorporating the viewer into every artwork.
Arrangements of everyday items, like inflatable toys and items from the kitchen, are likewise on display as conceptual art. The materials used in these works vary, just they are always accompanied by some reflective element, making the employ of reflection a sort of unique creative person signature.
The reflective materials in almost all of Koons' work invites viewers to see art and art's purpose differently, for they make the viewer an inseparable office of each piece. This gives ascension to the question of who and what is virtually important in artistic expression: the viewer, the artist, or the fine art itself? Koons stated his unique perspective on this question during the artist talk that preceded the opening of theSmoothexhibit, saying "what is really relevant to my art is Y'all… if you don't motility around the art, nil happens." This sentiment relates to a bulletin fundamental to Koons' fine art that he shared afterwards in the talk about the importance of self-acceptance. He explained that the reason for making all of his pieces reflective is to brand viewers face themselves, come across themselves in their surroundings, and get willing to accept what they encounter while viewing his work. Thus, it tin exist said that the reflectiveness is more than than a concrete quality of Koons' pieces, just a key part of what Koons considers his purpose in creating art to be.
Some other notable observation to be made near Koons work is its tendency to create the illusion of materials that were not used in the creation of the art. For case, in theShine exhibit there are numerous pieces that look unquestionably like large inflatable toys made of plastic, yet they are made of steel. Koons' balloon-animal sculptures fabricated of steel are examples of his piece of work creating believable illusions. These contradictions between "what SEEMS true" and "what IS true" relate to the second central message Koons discussed in his artist talk almost truth not always being what it seems.
Looking at the works in Koons'Shine exhibition truly inspires new ways of seeing and thinking, largely because of the thoughtfulness and intention that he poured into the creative process. The most beautiful thing nigh his iconic reflective pieces is that they cannot be viewed without seeing i's own reflection. Equally one of the world's most influential gimmicky artists, Koons is trying to use this attribute of his sculptures and paintings to spread a message of practicing more than self-acceptance. TheShine exhibit at Palazzo Strozzi is a great stride in his efforts to help the globe, for as he puts it: "Once you lot accept yourself, you can so exit into the world and help others." In that location is no meliorate way to encourage this kind of self-growth than through a universal language of the eye like visual art. (maddie aub, csuipflorence)
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Source: https://www.magentaflorence.com/the-jeff-koons-show-a-visit-video/
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